【國家交響樂團】
5/30(日)
NSO大師系列《牧之神.森之靈》 (演出取消)
LÜ & MENG-CHIEH LIU

圖片

演出者:

指揮/呂紹嘉
鋼琴/劉孟捷

曲目:

德布西:《牧神午後前奏曲》
聖桑:第五號鋼琴協奏曲《埃及》
西貝流士:《塔比歐拉》
西貝流士:第七號交響曲

旖旎夢幻,卻有震古鑠今的革命性力量。若說「現代音樂」開始於1894 年首演的《牧神午後前奏曲》,相信絕非誇大之詞。聖桑第五號鋼琴協奏曲是旋律優美、流暢輕盈,又洋溢北非異國風情的名作。第二樂章的尼羅河畔歌調與終樂章火花四射的觸技曲,總能令聽眾喝采不絕。從德國與俄國風格開始,西貝流士最後不只蛻變出一家之言,還成為北歐共同的音樂語彙。清新而寬廣,厚實但不厚重,他獨到的管絃配器色調迷離,聲響奇幻處處驚奇,現場欣賞才能真正領會其魔力。第七號交響曲和《塔比歐拉》是他千錘百鍊的封筆之作,確是當之無愧的不凡經典,交響樂的重要里程碑。這場音樂會帶來法國與芬蘭名家名曲,上下半場又有形式創意的巧妙對照,必然令人大開眼界。

演前導聆

主講人:車炎江

時間:2021/5/30 星期日 19:00-19:20

地點:國家音樂廳1樓大廳


Shao-Chia Lü, conductor
Meng-Chieh Liu, piano

Claude Debussy: Prélude à l’après-midi d’un faune
Camille Saint-Säens: Piano Concerto No.5 in F Major, Op.103, Egyptian
Jean Sibelius: Tapiola, Op.112
Jean Sibelius: Symphony No.7 in C major, Op.105

Ravishing and dreamlike yet revolutionary, Prélude à l’après-midi d’un faune’s premiere in 1894 unequivocally opened the age of modern music. Saint-Säens’ Fifth Piano Concerto is a showpiece that features beautiful and sleek airs imbued with exotic north-African flavor. Its second movement, based on a tune sung on the Nile, and the fiery toccata in the finale always receive thunderous applause from the audience. Influenced by German and Russian styles, Sibelius discovered his own musical language which ultimately became the common dialect of northern European music. Crisp but broad, compact but elegant, Sibelius’ orchestration comprises original and bewildering tonations with bizarre timbre. Attending a live performance is a must in order to appreciate the true depth of this work. Two of his swan songs, Symphony No.7 and Tapiola, are phenomenal gems that are highly representative of Sibelius’s style. They are monumental works in the symphonic genre. By combining these French and Finnish masterpieces together, and juxtaposing the two in one concert, the NSO will more than fulfill its audience’s expectations.